Stilettos in the Newsroom by Rashmi Kumar

Stilettos in the Newsroom is an important glimpse into the journalism industry.

Its written from the perspective of a female journalist in what seems to be highly autobiographical (or perhaps that is just the way the book is written?) and tells you about the struggles that Radhika will face as she enters the tough and demanding world of journalism - office politics, power struggles, sullen bosses, back-stabbing friends, mismatches between the picture and the caption, relationship problems and a great deal of craziness - with people inside and outside the industry. It seems to be written without any pretense, there is a lot of stuff in it that is controversial - like relationships between the Press members and the people they interview, or relationships with bosses in order to get better stories. Moreover, Radhika is ambitious enough in this book to be doing just about anything to get what she wants - a big plus.

The characters in this book, aside from the main character, are according to me a little under-developed. I can hardly keep the names and places straight, most people just become one single character trait and quite a few of them don't appear very often. Even Radhika's love interest, Sameer, is a rushed character who doesnt get the screen space he deserves - after reading this book, I have trouble with knowing anything about him other than the fact that "he was a nice guy." I also failed to understand the motivations or why some of them acted the way they did, but perhaps this is a personal thing. This is one of the things I didnt particularly like about the book.

However, there were a lot of things that I did like a lot about the book. I like the 'chat-with-the-reader' style the book is written in - its a simple, fast, entertaining read and I appreciate that. I really like the 'journalism tip' of the day at the end of each chapter - its a nice conclusion to each event, some of it is hilarious, and a lot of the tips arent just limited to journalism but are rather applicable to everyone's lives. I also enjoyed how the author describes various facets of the journalism industry, they are fascinating, especially since I've never read anything in a similar vein (though perhaps I should). The book is humorous at parts, touchy at parts, and written in a no-nonsense way that makes the humor more try and the emotion less tacky, which I appreciate.

Final thoughts: An interesting book on a young's journalists struggles. Worth a read for sure.

(Come back soon to catch my interview with author Rashmi Kumar.)

Other thoughts: This is my third book for the Book Readers Challenge 2011!  Come join us, and discover a new genre...or just get an excuse to read a lot.

(Financial disclosure: Book source was the author.) 

Size 12 is Not Fat by Meg Cabot

Size 12 is Not Fat is a chick-flick disguised as a murder mystery.

The book follows the adventures of Heather Wells (who also later stars in a sequel, Size 14 is Not Fat Either). Heather is a washed-out pop star - robbed by her mother, cheated on by her famous boyfriend,  dropped by a label owned by the aforementioned boyfriend's father, living with (and quite in love with) her boyfriend's elder brother...and of course, size 12. Heather is plagued by problems like whether or not walking ten minutes is exercise, how people keep recognizing her randomly without having any idea who she is (or being told 'you look just like Heather Wells')  or whether or not her landlord likes her, and by 'vanity sizing' in stores...until, of course, some girls in the dorm she works in start falling down elevator shafts (believed to be doing something called 'elevator surfing') and Heather smells a rat...and then goes straight into the investigation.

As a chick-flick, this book is fine. Cooper makes an adorable hero and Heather makes a heroine who is slightly less annoying than the majority of the heroines of romance books these days, and the entire premise of being a washed up pop-star (while completely unbelievable in so many issues - like how she still talks to her mom who robbed her and fled the country) is fairly interesting to work with. In fact, the book might have been quite passable if this had just been a regular love story of the guy and girl who have issues (like the fact that she's his little brother's ex-girlfriend) falling in love and having a happily ever after somehow. However, this gets mucked up (spectacularly) by the introduction of the so called 'mystery'.

The 'mystery' of the book - of the dying girls - is ridiculously done. Not only is there no suspense built up or any sort of feeling built for the girls who die but the resolution of the mystery is also terrible. The major part of the mystery lasts on a single point that no one even thinks about mentioning until the author suddenly puts it in to explain how in the world her heroine came to a conclusion about the identity of the killer. Also, the motivations of everyone, including the so called 'bad-guy' killer, are absolutely crazy, illogical, and based on some kind of weird perception of the world. In fact, the entire mystery is poorly plotted and seems tacked on rather than a natural evolution from the plot, and in fact it spoils the book completely.

Final thoughts: Reach it for chick-flick value if you like such books. If you're reading for mystery, or really for anything other than passing some time, give it a miss.

Other thoughts: I recently finished American Gods, by Neil Gaiman. Its amazing. Expect a review sometime in the next week. Until then, happy reading. :) 

Good Wives by Louise May Alcott

Good Wives is a such a brilliant book.

In fact, its so good that when I realized I haven't posted for a while on the blog (And this is mostly because my copy of Frankenstein had six pages missing and I haven't got the chance to get it exchanged yet) and I thought of a classic I really wanted to review for the great classic read (and re-read) festival, I thought of this book only. This book was one of the first classics I ever read, it is one of the best books I've ever read, and it has left a lasting impact on me. (Please note, it is a second part of Little Women by the same author. But I have only read that book once and I don't really want to include it in this review.)

This is a story of four sisters: Sweet, domestic Meg; beautiful and vain Amy; gentle but ailing Beth;and wild and headstrong Jo. This is a story of their personal struggles with life and love as all of these 'little women' grow up to be 'good wives'.

The story begins with Meg's marriage. Meg's storyline is one of the most simple and pretty storylines I've ever read. It deals with no earth-shattering problems - mostly her marital problems, which range from her not being able to make jelly one day to her growing distance from her husband after the birth of her children. Meg's storyline will charm you with its down-to-earthness and reality. I'm sure her story is one which many people experience, and the simple advice she receives and follows is definitely not less important for its being simple. Meg is charming as a character.

The other character in this novel who really touched me is Jo. She's the heroine, wild and headstrong. She writes. She must struggle with a change in identity, a want to make money, while at the same time writing something of substance for an industry which doesn't seem to want it. She also struggles with love. She goes away from her family. In short, she does such a lot of things that one does not ever feel bored with her storyline. The other two characters in this book, Amy and Beth are also interesting - though I felt that in some parts Amy was dull and Beth too idealized for my liking.

This is a book to touch your heart. To make you feel happy. To make you cry. Some parts - like the poem in the chapter 'Under my umbrella' will actually make your realize just how much the author knows her characters (and how well she can write poetry!) and others, like the part where Meg and John are compared to a pair of doves will make you like the imagery of the author, others, like the part where Amy and Jo go visiting will make you laugh, and the book in its entirety will come and haunt you on lonely days and make you want to read it again.

Final thoughts: I just adore this book. I don't think its a book anyone can afford to grow up without. Definitely a must-read.

Other thoughts: I think I'll stop (or at least pause) the great classics read (and re-read) festival for a while now, because I and everyone reading my blog deserves a break.
Frankenstein will be the last book for now, I think.

Arranged Marriage by Chitra Banerjee Divakaruni

Arranged Marriage, by Chitra Banerjee Divakaruni, is what I'd call heart-breakingly beautiful.

(I prefer the cover of the book which I had, the red variant of this cover.)

This is a collection of short-stories, mostly about Indian women living in America. I wanted to buy it as soon as I saw it in the bookstore, because Chitra Banerjee Divakaruni is one of the two Indian english authors whose new books I pick up at the bookstore without even looking at the back cover. (The other is Jhumpa Lahiri, who is another brilliant author.) This is a rather old collection, written sometime around the time that I was born (it is, in fact, her first collection of stories), and still these stories have not become outdated or any less touching. This book, like almost every other book by this author, has not failed to deliver.

I really enjoy the style in which the author writes. She has a way of writing with a peculiar rhythm, which I remember one reviewer describing as giving the impression of being translated from another, more exotic tongue. Her writing can transport you far, far away, and her writings have a way of blending fantasy with realism in a strange way. Her writing style is so distinctive that for at least a few days after reading a novel by her I can neither write or think without doing so in the same, definite rhythm in which she does. Somehow, her words give you a surreal experience, while remaining, at their roots, grounded in reality. She has mastered the art of giving the reader a 'powerful emotional experience' (coined by writer Randy Ingermason and believed by him to be the key of writing successful fiction) and she can take you from elated to crushed in a matter of minutes. In fact, one of her stories had me almost hating one character for having an affair, and then simultaneously hoping that the other would have one under almost identical conditions, which is quite remarkable in itself.

Her characters are all very well-written. Most are women, most are Indian, and most are living in America. And yet they all come out from the page as different, some accepting their circumstances, some rebelling, some even liking the way they are living. There are stories about the cultural shock between India and America (which exists even now), stories about important life changes, stories about morals and values, and with her masterful writing Chitra Banerjee Divakaruni makes all her characters gray in their morality and still very, very understandable and like-able.

The plots of the stories are ones that everyone can empathize with. Drawing nourishment from basic human emotions like love, duty, and anger, the roots of these stories are very deeply set in the human heart, and the trees that grow out are able to reach the stars that the author aims for. You are left with the feeling that there is more to this story, that this world is dynamic and these characters will continue on with their lives, which I feel really adds to the story experience. (Also, at least one of these stories goes on to become the novel that hooked me on to this author in the first place - the book I consider to be her masterpiece - The Sister of My Heart).

Final thoughts: I think you might love this book if you're Indian, love it if you are a woman, and love it even if you are neither. Tragic, gorgeous, well-written - definitely worth a read.

Other news: Almost finished with Of Human Bondage, by Maugham, and I'm looking forward to writing a review on it, but I may go with Marr's Ink Exchange first.